Author: Jenna
Full Paper Deadline 1st August 2016
AoMO confere
nces do not require delegates to submit a full conference paper, however, for those of you who need to produce a full paper in order to secure funding the deadline will be 1st August 2016.
All full papers will be included in the published conference proceedings post-conference but only abstracts will be made available during the conference.
Please submit full conference papers to aomo2016@gmail.com. All emails should have the titled ‘Full Paper [author(s) name]. Please send as Word documents in order for the files to be easily integrated for publication. Files names should be in the format [author(s) name].doc
Artist in Residence & Bursary Awards
Dear All
After careful peer-review we have now awarded the Heather Höpfl Artist in Residence scholarship and the financial bursaries for 2016.
We received an unprecedented number of applications to both awards and the quality was outstanding. Due to our very limited financial resources we were only able to make awards to a fraction of those who applied. If you did apply for a bursary award and you have not been contacted by AoMO then this means your application was unsuccessful this year.
Congratulations to those who were successful.
Next week will see the official announcement of AoMO’s 2016 Heather Höpfl Artist in Residence… so stay tuned!
Jenna, Steve T & Steve L
Important AoMO Update from Jenna
Dear AoMO
So, today was my first day at the helm of organising AoMO 2016 and as you can imagine there is lots to be getting to grips with; not least budgets, program, catering, mailing, resources and most of all making this conference as AoMOy as we have all come to expect!
To make that happen requires lots of hard work (and late nights) to ensure I have a complete understanding of your individual requirements. Ian and the IEDC team have been doing a sterling job, but now I need to get up to speed as quickly as possible!
I think the best way I can ensure this happens is if we do the following:
1. Please copy aomo2016@gmail.com into any correspondence about the conference.
2. If you have sent an email to either Ian Sutherland or the aomo2016@gmail.com and are awaiting a response could you please resend to aomo2016@gmail.com immediately.
In return, I promise to respond to every email within 1 week.
I will be in Slovenia from the 16th-19th June when Ian and I will be going over the program, resource requirements and scheduling in fine grained detail.
Could I also encourage everyone who has yet to register to do so asap and for those of you who have yet to pay the invoice from the IEDC to look to make those arrangements as a matter of urgency. Accommodation in the close vicinity is also sparse in the summer as Bled is a tourist destination. The IEDC are currently holding a number of discounted rooms at local hotels for AoMO delegate use but there is only so long these offers will be available for!
Let’s get booking guys…. we have just 3 months to go!
Really looking forward to seeing familiar faces and meeting new AoMOers in September.
Best wishes and keep in touch
Jenna
Apologies to those of you who are unable to join us at the 8th Art of Management & Organization conference on the 1st-4th September 2016 in Lake Bled, Slovenia, we are in the process of compiling a conference delegate mailing list but for now this is the best way for me to contact you all.
Important News AoMO 2016
Dear AoMOers
It is with great pleasure (and a hint of regret) that we can announce Dr Ian Sutherland’s appointment as Dean of the School of Music, Memorial University, in Canada. Ian is an influential thinker in our community and it is wonderful to see his versatility, creativity and management skill being recognised by such a prestigious institution.
Ian will officially relinquish his current post as Deputy Dean at the IEDC in Bled, Slovenia on July 4th 2016. Consequently, and with much regret, given his new responsibilities and the practicalities of a transatlantic move, Ian will be unable to attend AoMO2016 in Slovenia.
In light of this, Jenna will step-in and from June 1st 2016 be the lead organiser of AoMO2016. The conference will run, as planned, from the 1st-4th September 2016 at the IEDC in Bled, Slovenia. Ian and the IEDC team have an amazing schedule of events lined up for us and we would like to thank Ian, in particular, for his continued commitment to the planning and organisation of the AoMO 2016 conference.
Please continue to use the aomo2016@gmail.com email address for all conference correspondence. Ian and Jenna have set up a period of hand-over and hope that any disruption or inconvenience to the AoMO community will be kept to a minimum. We thank you for your patience during this period of transition and look forward to seeing you all at Lake Bled in September. For those who have not yet registered and made accommodation arrangements, we strongly urge you to do so at your earliest convenience. You can find further information and the online registration at the IEDC conference website at the following link:
https://www.iedc.si/about-iedc/centres/conferences/8th-aomo-conference
So, congratulations to Ian – we wish him much luck and he has promised to consider the possibility of hosting an AoMO conference in Canada… we are going to hold you to that Ian!
Best wishes
Jenna, Steve T and Steve L
AoMO Copenhagen 2014
The 7th AoMO Conference, 2014

Date: 28-31 August 2014
Hosted by: Copenhagen Business School
Conference Theme: Creativity + Design
To maintain continuity, as creativity has always been both a theme and a characteristic of The Art of Management and Organization Conference, the 2014 conference also highlighted design, and the interrelation between these two themes. The interrelation focused upon both the design of creativity, as some kind of structure is often needed to spark creativity (e.g. the Danish filmmaker Lars von Trier), and also creative design, underlining the idea that design is not purely rational but also a creative process in the arts, industries and organizations.
The design of the conference theme had at least the following four purposes:
- to show how creativity and design can be, and often is, two sides of the same coin
- to display the diversity of design, from structural design (e.g. Mintzberg, 1983) to improvisation where the interplay between structure and improvisation is highlighted (e.g. Kamoche et.al., 2002) and further yet to seeing design as process (e.g. Weick, 2001).
- to encourage design industries and those researching them to become a more visible part of the Art of Management and Organization Conference and community e.g. architecture, fashion, furniture.
- to highlight the creativity of Denmark and Danish design (e.g. fashion, food, furniture, and porcelain)
Kamoche, K.N., Pina e Cunha, M. & Vieira da Cunha, J. (eds.) (2002): Organizational Improvisation. London, Routledge. Mintzberg, H. (1983): Structures in Fives: Designing Effective Organizations. New Jersey, Prentice-Hall. Weick, K.E. (2001): Making Sense of The Organization. Oxford (UK), Blackwell.
Conference Highlights
2014 saw AoMO host 14 specialized streams that focus around the Creativity and Design theme, which were:
- The Life of Organization Through Performative Poetry
- Dance, Choreography and Organization
- The Disruptive Potential of Art Based Approaches
- Integrative Art-based Initiatives for Enhancing Strategic Design and Business Innovation
- Spaces of Precarious Condition: Bridging Cultures, Designs and World Views
- Fashioning the Organization in the Creative City
- Art of Management: Sustainability Performance
- Studio Pedagogy for Management Education
- Art as Process – Process as Art
- Design Thinking and Social Justice
- Free the Goat: Art Initiatives in Management and University Education
- Curating Realities for Group Creativity
- Spatial Aesthetics and the Experience of Materiality
- Organizing Creativity as ‘sensemaking’ – Processual Perspectives on Artistic Projects
Plenary sessions included:
Arts-Based Experience: an example by Krista Petäjäjärvi, Finnish performance artist
Keynote Speech by Daniel Birnbaum, Director of the Moderna Museet in Stockholm
The Economic Body, a performance by Anna-Mi Fredriksson, dancer and founder of Art Division at Stockholm School of Economics
Through the Reading Glasses, a staged reading of a play by Steven S. Taylor, playwright and academic
Related Downloads
Conference Proceedings Creativity and Design 2014
You can find out more about the 2014 AoMO conference by following this link http://www.conferencemanager.dk/aomo2014


Full Paper Submissions
Art of Management & Organization
Original Paper Submission Guidelines
Submission Deadline: Sunday, July 31st. 2400 (midnight) GMT
Submit papers to: aomo2016@gmail.com with the subject line “Original Paper Submission”
For those conference participants wishing to submit a full original paper for (a) Best Paper Award AND/OR (b)meeting institutional funding requirements , the organizing team requests you to follow the guidelines given below.
- A paper submission constitutes an original scholarly manuscript that has not been submitted to another conference(s), nor has it been previously published in any form or outlet.
- The entire paper (including title page, abstract, main text, figures, graphs, tables, references, etc.) must be submitted as 1 document in PDF, DOC or DOCX formats.
- Papers should be 3000words in length, inclusive of references
- Formatting and referencing must be carried out in accordance with the “Final Manuscript Preparation Guidelines” for the journal Organizational Aesthetics (please note, the conference proceedings are a separate publication to Organizational Aesthetics). The guidelines are found at the following link http://digitalcommons.wpi.edu/oa/styleguide.html
Special Guests for AoMO 2016
Joining this year’s AoMO conference comes with 4 unique treats:
- a Keynote Performer
- a Keynote Speaker
- a theatrical premiere,
- and 2 Keynote listeners
Keynote Performer: Miha Pogačnik
With violin blazing, world renowned musician Miha Pogačnik, opens up the intangible of organizational renewal, creativity and leadership.
Miha is Chief Inspiration Officer of IDRIART (Institute for the Development of Intercultural Relations through the Arts), Managing Director of Ecolculture, and Cultural Ambassador of Slovenia. Through music he explores parallels between musical and organizational identity and business processes. He taps the unexplored potential of art as a significant force for productivity, creativity and organizational renewal. You can find more about Miha’s unique practice at www.mihavision.com.
Keynote Speaker: Dr. Philip Mirvis
Few know the theatre of organizational change, and the value of arts and aesthetics to shape it, like Dr. Phil Mirvis.
Internationally acclaimed Organizational Psychologist, Dr. Mirvis’ academic and professional practice focuses on large-scale organizational change, the character of the workforce and workplace, as well as business leadership in society. Author of 10 books and numerous articles across top academic and practitioner outlets, he has served as adviser on CSR and sustainability to companies including Ben & Jerry’s, Mitsubishi, PepsiCo, Royal Dutch Shell, SK Group, Unilever and Wipro. An advocate for the arts in business, Phil brings his work and practice to AoMO 2016 discussing the intangible of organizational change and transformation.
Theatrical Premiere: Dr. Steven S. Taylor
This September you can join June, Yahweh, Satan, Market and Kapital for the premiere of Steve Taylor’s new play “The Age of Loneliness”.
Steve Taylor is professor of leadership and creativity at the WPI Foisie School of Business. His research is focused in two areas: organizational aesthetics and reflective practice. The former applies art-based scholarship and practice to management and organizations. The latter focuses on the ability to analyze our own actions and learn how to be more effective, ethical, and artful as managers and leaders. Founding editor of Organizational Aesthetics his research has been published across a number of top journals and he is the author of Leadership Craft, Leadership Art and You’re a Genius: Using Reflective Practice to Master the Craft of Leadership. As a playwright, his work has been performed in England, France, Poland, Canada, Denmark, New Zealand, Italy, Australia, and the United States.
Keynote Listeners: Dr. Mary Jo Hatch & Prof. Stephen Linstead
Mixing it up a little at this year’s AoMO will be our Keynote Listeners. Throughout the conference we will have 2 “flies on the wall” – Mary Jo Hatch and Stephen Linstead. As they navigate their way through the conference, attending sessions and engaging in conversations with participants, they will weave together a tapestry of the emerging dialogue and debate.
Dr. Mary Jo Hatch is C. Coleman McGehee Eminent Scholars Research Professor, Emerita, of Banking and Commerce at the University of Virginia (USA) and adjunct and visiting professor at a number of eminent institutions around the globe, such as the School of Management of Boston College, Gothenburg University, Copenhagen Business School, IEDC-Bled School of Management and the Singapore Management University. The author of numerous books and more than 75 articles, her current research focuses on branding; organizational culture and identity; art, design and organization. Mary Jo is an avid and accomplished painter and visual artist.
Prof. Stephen Linstead is Professor of Critical Management at York Management School (University of York, UK). With undergraduate and masters degrees in English Literature from Keele and Leeds, he holds a Masters in Organization Development and a PhD from Sheffield Hallam University and a D.Litt from Durham University. Author and co-author of numerous article, chapters and books, his research falls into five main areas: organization theory and philosophy; aesthetic approaches to organization; language based approaches to organization; gender and sexuality in organizations; qualitative methods, ethnography and culture. Most recently he has been developing research out of these foci into aspects of globalization and post-colonialism; the ontology and practice of play – especially in organizational and social intervention – and the use of music and song as a form of ethnographic representation.
Registration for AoMO 2016 is now open!
Registration is now open. To book your place please go to:
http://www.iedc.si/about-iedc/centres/conferences/8th-aomo-conference/registration-form
Register before 1st April 2016 to take advantage of the great Early bird fee of 395euro
After the 1st April the full delegate fee of 450euro will apply.
Guests (ONLY for registered conference participants): 250euros
The fees include attendance of the selected conference sessions, conference materials, coffee breaks, lunches, receptions and gala dinner for 1 person as specified in the conference program. The fee does NOT cover travel, airport shuttle, and accommodation.
Payment of participation fee should be settled by August 15, 2016 at the latest by bank transfer upon the receipt of the proforma invoice from IEDC. Unfortunately, we cannot accept credit cards.
HOTELS
For hotel booking, please follow the link: http://www.iedc.si/about-iedc/centres/conferences/8th-aomo-conference/hotels-logistics
An Exciting Opportunity to Join a Derive!

As always, AoMO is a conference like no other, and this year you have the opportunity to join a Dérive! If you are interested in participating in this workshop, please let the conveners know as space will be limited. Further information, including convener contact information is all detailed below.
A dérive in Bled: Talking the walk in management and organization
Damian Ruth, Massey University, Manawatu, New Zealand d.w.ruth@massey.ac.nz
Deborah Knowles, Westminster Business School, University of Westminster, UK d.s.knowles@wmin.ac.uk
Clare Hindley, IUBH School of Business and Management, Germany, c.hindley@iubh.de
You are invited to a workshop on dérives in which we will adopt the flaneur as a ‘methodological persona’ (Castro, 2003). There are many ways to wander (Qualmann and Hind, 2015) and many histories of walking (Solnit, 2000) but our focus is on how dérive opens up novel ways to think about management and organization. We will also push the methodological boundaries of expression to explore diverse ways of knowing, ‘personal, narrative, embodied, artistic, aesthetic – that stand outside sanctioned intellectual framworks’ (Cole and Knowlees, 2008: 55). We want to explore the experience of space and movement and the aesthetic expression of that experience relative to management and organization.
We have one ½ day (more or less depending on the response) to offer, listen and dérive. There will be a place for peer reviewed papers. We also welcome non-standard presentations, accompanied by a ‘score’ or alternative ‘texts’. You may ask what your organization or its type sounds like (Phipps, 2007) or what does an organization in flux taste like. The main process of the workshop is a dérive followed by our personal post-dérive Reports on Knowledge. We will be psychogeographers, flaneurs, ethnographers bringing back stuff; noise, colours, fragments of conversation, bits of paper, photos, brochures, litter, new friends. These will be our Reports on Knowledge. We come back from the field as scientists (Latour, 1999) to tell tales (Van Maanen, 1988) about our investigations into business and organization. There is a rich body of work to which we can relate.
The dérive is a concept coined by the French situationists and is described by Debord (1958) as “a rapid passage through various ambiences [involving] playful-constructive behaviour and awareness of psychological effects”. The point is to drop usual motivations for movement and actions and let oneself be “drawn in by the attractions of the terrain“, or simply “drift“, which is how Nicholson (2011:26) translates the term (see also Smith, 2014). It is associated with psychogeography in which psychology and geography meet, or “collide” (Coverley, 2010:13; Debord, 1955), recently used most notably by Self (2007; 2008; 2009) and Sinclair (2002; 2003), and which has been synthesised as a research approach in the business and management field (Knowles, 2008; 2009). This method constitutes ‘strolling’ along a route in order to observe (choosing or being open to sensual data) the environment and to construct meanings and explicitly includes the search for new methods of “apprehending our urban environment” (Coverley, 2010:1).
You may wish to draw on de Certeau’s thinking in his Walking in the City (1984) and link this to how organizations are spaces of physical, mental and political pollutants, evidencing Turnbull’s (2003) ‘messy’ knowledge and space creation and Ingold’s (2013) exploration of perceiving space. We wish to explore how new ideas need new spaces in between, and how
random objects, moments, voids, gaps can be found or created. We will “[push] on the methodological boundaries” (Hesse-Biber & Leavy, 2008) of organizational research.
We will explore collage because in collage, a single coherent notion “gives way to relations of juxtaposition and differences” (Rainey, 1998:124, in Butler-Kisber, p.268) and these fragments “work against one another so hard, the mind is sparked” (Steinberg, 1972, cited by Butler-Kisber, 2008:.268). This resonates with Ingold’s (2012:49) idea of reality as a quilt, with ill-fitting elements and irregular edges.
In this call for contributions we have the following flexible ‘shape’ in mind. We will limit participation to 18.
Introduction: Damian, Deborah and Clare 10mins
Six ten-minute slots for required formal paper presentations 60mins
One hour for everyone to dérive 60mins
One hour for everyone to create their Report on Knowledge 60mins
There will then be a time slot later in the conference for each participant to stand by their ‘Report’ and report, a bit like a poster presentation period. We aim to have several informal ‘happenings’ over a couple of days and then a collective artwork that entails sound, theatre, re-enactments, exhibits and whatever else people can think of; a sort of huge collage of experience.
Most of all, we will wallow with relish in the sensuousness of knowledge creation!
Please email your contributions in the form of a 500 word abstract to all of the following convenors and please feel free to raise any queries or offer suggestions. We would like to receive your contributions by February 1st, 2016.
